Between 2020-2025, we created 7 murals in Morganton, NC. Six of these projects were created in partnership with Community Mural Institute (CMI), engaging 24 emerging artists. Check out our teachers and collaborators in this work: GoodSpace Murals & Common Wealth Murals



Murals

Signs of the Times
408 S Sterling St, Morganton, NC
Designed by
Nico Cathcart

Mountain Matriarchs
216 E Union St, Morganton, NC
Designed by Claire Alexandre

Rural Futures: Pathways to Thriving
1001 Burkemont Ave, Morganton, NC
Designed by Catherine Kaleel

Our Legacy
101 S. Green Street, Morganton, NC
Designed by Kiana Mui

Reflections of Legacy
205 Sterling Street, Morganton, NC
Designed by Darlene McClinton

You Build Our Community
647 Hopewell Road, Morganton, NC
Designed by Ian Brownlee

Realidades del Sur
212 Avery Ave, Morganton, NC
Design by Alexa Eliana


Paint Party Highlights


Who are the artists?

Deaf and Hard of Hearing
Lead:
Nico Cathcart (Richmond, VA) | @nicocathcart
Hadasah Michaels (Burnsville, NC) | @hadasah.morelove
Kat Cornelius (Concord, NC) @tuxedokat.imaginarium
Molly Chopin, Raleigh, NC | @mollychopinart

Rural Futures - Pathways to Work
Lead: Catherine Kaleel (Black Mountain, NC) | @catherinekaleel
Lee Meh (Winston-Salem, NC) | @lee1_art
Ashlei Franklin (Marshall, NC) | @artsyeyecandy
Kira Bass (Powder Springs, GA) | @mkay.kira

Women at Work
Lead: Claire Alexandre (Durham, NC) | @onlyclairity
Georgia Tardy (Raleigh, NC) | @georgiatardyart
Kimberly Cusack (Greenville, NC) @cusack.studios
Jenn Hales (Raleigh, NC) @jennhales


How did the artist training program work?


How were the themes selected?

Theme Selection

We have our wishlist, generated by students several years back, but the list is LONG and we needed to prioritize. During the fall of 2023, TOSS collected 284 votes from the community to help determine the focus for the 2024 murals. We collected this feedback from the Historic Morganton Festival and through an online survey. The top themes were: Deaf and otherly abled community (27.55%), Woman in Burke (16.96%), Native Americans (16.9%)*, Industries ( 13.16%), Cornerstone businesses (11.51%).

In conversation with our planning partners and consultants we decided to narrow our focus to:

  • The Deaf and Hard of Hearing Community

  • Women in the Workplace (focusing on small business, civic - engaged jobs, and the arts)

  • Pathways to Work (featuring trades)

Once the Steering Committees are formed in the early spring, the focus will be even more narrowly defined and public “listening sessions” in May will lock in more specifics.

*After much consideration, we decided not to pursue a mural featuring Native Americans since a big part of our project requires active participation and guidance from the community featured in the mural. With only 1.0% of our population in Burke identifying as Native American, TOSS doesn’t currently have a network of community members who identify as Cherokee or Catawba. This would be an essential component in our project and prohibited us from moving forward. If you know a resident in Burke that identifies as Native American, connect us! We’d love to start the conversation.


How are decisions made?

Key decisions are made by steering committee: selecting artists for the project, signing off on the design, and promoting public events are some of their main responsibilities.


Background

During a summer camp in 2021,  high school students created a “wish list” for future public art projects after completing a public art audit. We walked around Morganton and discussed what we saw (or didn’t see). While we can’t make a mural for everything on the wishlist, we want to do our part in creating more inclusive public spaces. Inspired by our campers, TOSS has been building a database of projects, resources, and public art that highlight some of our less represented communities in Burke. You can see the research and interviews we’ve conducted here.


Join Us

Why do we care about murals? About public art? A study called the Social Impact of the Arts Project (SIAP) demonstrated that communities with “vibrant cultural life” experience “spillover effects.” Those communities experience stronger community and civic engagement, better health, schooling, personal security, and economic revitalization. This is called a thriving cultural ecology.

🎤 Help with our Oral History project! This is foundational research for the murals. The mural steering committees use the data and stories from local interviews to guide the artists along with the listening sessions. Email us if you'd like to conduct an interview or be interviewed: kathryn@tosstudio.org

🏪 Host a mural. Interested in providing wall space for a community mural? Email - kathryn@tosstudio.org or call @ 828-448-1734


Our Funders and Key Contributors! 🙌

This project was supported by the National Endowment for the Arts, the N.C. Arts Council, and the North Carolina Museum of Art, along with contributions from the Huffman Cornwell Foundation, The Industrial Commons, and Good Books LLC. Our work would not be possible without the care, guidance, and sponsorship of The Industrial Commons.

The walls were generously donated by building owners Hannah Ferree, Jerry Norvell, the Board of Trustees of Western Piedmont Community College (WPCC), Monika Lesch, and Gavin Mitchell. These hosts embraced the project wholeheartedly—their belief in the process and willingness to support a community-engaged initiative made this work possible.